Geschichte und Ästhetik der elektronischen Musik 1

Komposition von Raum und Bewegung
Mittwoch 15 – 17 Uhr

Weiterführende Literatur

Analyse Elektroakustischer Musik

Philippe Lalitte
Towards a semiotic model of mixed music analysis
Organised Sound 11(2) 99–106 (2006 )

Simon Emmerson
Acoustic/Electroacoustic: The Relationship with Instruments
Routledge Journal of New Music Research 27 (1998 )

Leilo Camillieri
Electroacoustic Music: Analysis and Listening Process
http://www.memex.it/sonus/camilleri.PDF

Mary Simoni
Analytical methods of electroacoustic music
New York [u.a.]: Routledge 301 (2005 )

Dennis Smalley
Can Electro-Acoustic Music be Analyzed?
(1991 )

Marco Stroppa
The analysis of electronic music
Contemporary Music Review 1 175 – 180 (1984 )

Trevor Wishart
On Sonic Art
harwood academic publishers (1996 )

Thomas Licata
Electroacoustic Music. Analytical Perspectives
Greenwood Press (2002 )

Laura Zattra
Analysis and Analyses of Electroacoustic Music
(2005 )
http://smc.afim-asso.org/smc05/papers/LauraZattra/LZanalysis.pdf

Musik und Architektur

Musik und Architektur
[zuletzt abgerufen 09.2014 ]
http://de.wikipedia.org/wiki/Musik_und_Architektur

Markus Dermietzel
Musik als Entwurfsgrundlage für Architektur?
(2003, rev. 2006 )

Khaled Saleh Pascha
„Gefrorene Musik“. Das Verhältnis von Architektur und Musik in der ästhetischen Theorie
(2004 )

Musik und Raum

Michael Fowler
Sounds In Space Or Space In Sounds? Architecture As An Auditory Construct

In this paper I introduce two recent and ostensibly competing acoustic theories, Barry Blesser and Ruth‐Linda Salter’s ‚aural architecture‘ and Barry Truax and R. Murray Schafer’s notion of ‘soundscape’. I examine the structural differences between the theories and track their potential impact on architectural design. I also reflect on the difficulties in utilising auditory experience as a design parameter in the urban arena due to the current bifurcation between architectural design and applied acoustics, and further offer some thoughts on the manner in which critical listening will need to play an important role in any new approaches to integrating auditory design into architectural praxis.

Harrison, Jonty
Sound, space, sculpture: some thoughts on the `what‘, `how‘ and `why‘ of sound diffusion
Organised Sound  3  117 – 127  (1998)

Helga de Ia Motte-Haber
Zum Raum wird hier die Zeit
Österreichische Musikzeitschrift

(1986)

Gisela Nauck
Musik erobert den Raum (1)

Gisela Nauck
Musik erobert den Raum (2)

Nauck, Gisela
Musik im Raum – Raum in der Musik. Ein Beitrag zur Geschichte der seriellen Musik
(1997)

Tazelaar, Stefan Weinzierl & Kees
Raumsimulation und Klangkunst

Trevor Wishart
Spatial Motion in: On Sonic Art
p. 191 – 235 (1996 )

Trevor Wishart
Diffusion Of Stereo Works in: Sound Composition
Orpheus The Pantomime Ltd.
p. 155 – 160
(2012 )