Geschichte und Ästhetik der elektronischen Musik 1
Ästhetische Aspekte der Klangsynthese
Mittwoch 15 – 17 Uhr
<h4 „=““>Vorläufige Terminplanung. Änderungen vorbehalten.
08.10.08 , 14 Uhr
Stundenplanbesprechung für das Wintersemester 2008
08.10.08
John Cage, Williams Mix (1962)
Online Ressource: John Cage „Williams Mix“
Johannes Kreidler, product placement (2008)
Aufnahme (You Tube)
15.10.08
Charles Dodge, Speech Songs (1972)
Sprachsynthese
Online Ressource: Charles Dodge on „Speech Songs“
Charles Dodge, Speaking Of Music at the Exploratorium in 1986 (February 27, 1986)
Ed M. Thieberger, An Interview with Charles Dodge
P. R. Cook. Singing voice synthesis: History, current work, and future directions. Computer Music Journal, 20(3):38–46, 1996.
Nikos Tsourakis, Speech Synthesis
Len Sasso, Voices from the Machine
22.10.08
John Chowning, Stria (1977)
Frequenzmodulation
John Chowning, Stria: Lines to It’s Reconstruction
Baudouin, Olivier, A Reconstruction of Stria
Kevin Dahan, Surface Tensions: Dynamics of Stria
Matteo Meneghini, An Analysis of the Compositional Techniques in John Chowning’s Stria
Laura Zattra, The Assembling of Stria by John Chowning: A Philological Investigation
29.10.07 ENFÄLLT
05.11.08
Trevor Wishart, Redbird (1977)
Sample Synthesis, Composite Synthesis
Trevor Wishart, On Sonic Art, Chapter 8 (Moz-Bib)
12.11.08
John Chowning, Phoné (1980-81)
FM Voice
Artificial Voice
Online-Ressource: Sallucce, Antonio, Phoné (english)
Online-Ressource: Luís Antunes Pena, John Chowning – Der FM-Gesang
19.11.08 Kiselev
Jean-Claude Risset, Contours (1982)
Additive Synthese
Agostino Di Scipio, A Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset’s Contours, in Thomas Licata (Hrsg.), Electroacoustiv Music. Analytical Perspectives
26.11.08
Paul Lansky, Idle Chatter, (1985)
Linear Predictive Coding (LPC)
Paul Lansky, Some Thoughts on a Song or Two
Alistair Riddell, A Tuner of His World: An Interview with Paul Lansky
Jonas Foerster, LPC (Linear Predictive Coding)
10.12.08
Curtis Roads, nscor (1980/86)
mixed techniques
Curtis Roads, The realization of nscor, in Composers and the Computer (Moz-Bib)
03.12.08
James Tenney, Collage #1 („Blue Suede“), 2 Analog #1 (Noise Study) (1961)
James Tenney, Computer Music Experiences, 1961-1964
Larry Polansky, The Early Works of James Tenney, Chap. 1: Collage #1 (‚Blue Suede‘) and Monody, Chap 2: Computer Music
James Tenney: Selected Works 1961–1969 (CD): Booklet
17.12.08 Perez
Barry Truax, Riverrun (1987)
Granularsynthese
Mara Helmuth, Barry Truax’s Riverrun in Mary Simoni, (Hrsg.) Analytical Methods of Electroacoustic Music (Moz-Bib)
Barry Truax, „Composing with Time_Shifted Envirommental Sound“
Johannes Winkler, Granulare Synthese
07.01.09 Neuhofer
Jonathan Harvey, Ritual Melodies (1990)
Analyse/Resynthese
Jan Vandenheede, Jonathan Harvey’s Ritual Melodies
14.01.09 Valdivia
Ludger Brümmer, De la Nuit (1999)
Physical Modelling
Ludger Brümmer, Analyse von De la Nuit
Partitur Teil 1, Teil 2
Christoph Stüber, Klangsynthese durch physikalische Modellierung. Physical Modelling
Jörg Spix, Verfahren der physikalischen Modellierung von Musikinstrumenten („Physical Modeling“). Diskrepanzen zwischen Modell und Vorlage
Physical Modelling
21.01.09
Jonathan Harvey, Bhakti (1982)
John Palmer: Jonathan Harvey’s Bhakti for Chamber Ensemble and Electronics: Serialism, Electronics and Spirituality (Moz-Bib)
Jonathan Harvey, Denis Lorrain, Jean-Baptiste Barriere, Stanley Haynes; Notes on the Realization of „Bhakti“
28.01.09 Stadler
Jean Claude Risset, Songes (1979)
Simon Emmerson, Acoustic/Electroacoustic: The Relationship with Instruments S. 153 – 159
Lev Koblyakov, Jean-Claude Risset – Songes (1979) (9′)
Weitere Werke
Dirk Reith, Feedback 2 (1983)
Feedback
Hans Tutschku, object – obstacle (2004)
Beach Boys, Pet Sounds (1966)
Charles L. Granata, Brian Wilson und die Beach Boys. Die Entstehung von Pet Sounds (Moz-Bib)