Elektroakustische Musik und Audiovisuelle Medien 1

Soundscape Composition 1
Donnerstag 10 – 13 Uhr

Weiterführende Literatur

Brady, Marc Christopher
Emergent Soundscape Composition. Reflections on Virtuality
(2005)

Chion, Michel
Spectromorphology: explaining sound-shapes
Organised Sound  2(2)  107–126  (1997)

Chion, Michel
The Three Listening Modes
(1994)
http://ems.music.utexas.edu/program/mus329e/assignments/reading/three_modes_of_listening.pdf
in: Audio-Vision. Sound On Screen

Ferrington, Gary
Take A Listening Walk and Learn To Listen
(2001)
http://www.acousticecology.org/writings/ferr-walk.html

Fontana, Bill
The Environment as a musical resoource
www.resoundings.org/Pages/musical%20resource.html

Fontana, Bill
Sound as Virtual Image
www.resoundings.org/Pages/sound%20As%20Virtual%20Image.html

Fontana, Bill
The Relocation of Ambient Sound: Urban Sound Sculpture
www.resoundings.org/Pages/Urban%20Sound%20Sculpture.html

Forum Klanglandschaft: Justin Winckler, Albert Mayr, Thomas Gerwin Alexander Lorenz
Klanglandschaft wörtlich. Akustische Umwelt in transdisziplinärer Perspektive
(1999)

Keller, Damián
Compositional Processes from an Ecological Perspective
Leonardo Music Journal  10  55-60  (2000)

Keller, Damián
Touch’n’go: Ecological Models In Composition
(1999)

Krause, Bernie L.
The Niche Hypothesis: How Animals Taught Us to Dance and Sing
(1987)
http://fall2010compositions.pbworks.com/f/kraus+niche+hypothesis.pdf

McCartney, Jean; Shirley, Andrea
Sounding Places: Situated Conversations Through The Soundscape Compositions Of Hildegard Westerkamp
(1999)

Norman, Katharine
Real-world music as composed listening
Contemporary Music Review  15  1–27  (1996)

Marta Olszewska,
Soundscapes
The Journal of Education Culture and Society   01    (2010)
http://www.joedcuso.eu/Journal/Article/8

Paquette, David
Describing The Contemporary Sound Environment: An Analysis Of Three Approaches, Their Synthesis, And A Case Study Of Commercial Drive, Vancouver, BC.
(2004)